PhD, MM (Choral Conducting), MMus Hons, LRSM, LTCL, Dip Teaching

Dr Karen Grylls CNZM founded Voices New Zealand Chamber Choir in 1998 and the choir has achieved great acclaim internationally in performance and recording. She is Associate Professor in Choral Conducting at the University of Auckland and is Artistic Director of the Choirs Aotearoa New Zealand Trust, the managing body for the NZ Youth Choir and Voices NZ.  Dr Grylls was Conductor and Artistic Director of the New Zealand Youth Choir from 1989 to 2011, and Artistic Director of Toronto’s Exultate Chamber Choir from 2011 to 2013.

A graduate of both Otago and Auckland Universities, Karen studied post-graduate Conducting and Music Theory at the University of Washington, Seattle, for four years. In 1985 she returned to NZ to teach at the University of Auckland and take up the directorship of the Auckland Dorian Choir.

As a result of her musical directorship, the New Zealand Youth Choir has enjoyed notable international successes including: the Silver Rosebowl in the “Let the Peoples Sing” radio competition in 1992, “Choir of the World” at the 1999 International Eisteddfod in Llangollen and the “Grand Prix Slovakia” also in 1999.

With equal success Voices New Zealand won first and second placings in the mixed choir section of the Tolosa International Choral Competition in October 1998. With these choirs, she has won further prizes and accolades in Gorizia 2004, and Llangollen and Cantonigros, Spain in 2007.

In 1996 Auckland University honoured her with a Distinguished Teaching Award in Music and in 2023 she became a Companion of the New Zealand Order of Merit (CNZM) for her services to choral music. She is also the recipient of the KBB Citation from the Composers’ Association of New Zealand and the Lilburn Trust Citation for services to New Zealand music. TOWER Voices CD  Spirit of the Land took the 2006 Tui Award for  Best Classical Album, and the CD Voice of the Soul was a finalist in the 2013 Vodafone NZ Music awards.

Karen is much in demand as an adjudicator for competitions worldwide, including the 48th International competition in Tolosa, the Marktoberdorf International Chamber Choir Competition, Bavaria, and The World Choir Games in Xiamen, China. She is sought internationally as a choral clinician and regularly conducts masterclasses and workshops in Wales, England, North America, Canada and Australia.

Diccon Sim is a partner in Dunedin law firm, Gallaway Cook Allan.  He studied Philosophy and Law at the University of Otago and also holds a Bachelor of Civil Law degree from Oxford University.

He was a member of the New Zealand Youth Choir from 1983 to 1988, and a member of its management committee during that time. A longstanding member of Dunedin’s St Paul’s Cathedral Choir, he has also sung as a tenor Vicar Choral in the choir of Wells Cathedral, and was a member of Schola Cantorum of Oxford during his postgraduate studies.

Diccon serves on the Boards of Dunedin’s Fortune Theatre and Selwyn College as well as the Boards of a number of trusts in the disability sector. He is also Chancellor of the Anglican Diocese of Dunedin and a Proprietor of St Hilda’s Collegiate School.

Diccon joined the trust in May 2015 and has been Choirs Aotearoa’s Honorary Solicitor for a number of years.

Stephen Park sang tenor in the inaugural New Zealand Youth Choir (1979-1982) and was a member of the choir’s management committee in 86/87.  He sang for 20 years from 1969, in Auckland and Wellington, in choirs including: the Auckland Boys Choir, Auckland University Singers, St Patrick’s Cathedral, Auckland Dorians, and St Mary of the Angels.

He graduated in law in 81, then worked as an arts administrator at Chamber Music NZ and the NZ Festival of the Arts, before moving to the Office of the Clerk at Parliament.  After living in Vancouver during the 90s, where he shifted focus into clinical information services, he returned to NZ in 2003.  He has since worked at the Auckland area DHBs in clinical data and quality improvement roles.

Diana Cable has 24 years’ experience in the arts sector. After 4 years as an Industrial Relations Officer in the State Services Commission, Diana turned to the arts in 1986. One year managing Wellington City Opera was followed by 10 years as a Music Producer at Radio New Zealand Concert. She then worked as an independent producer for 7 years and was appointed as Artistic Administrator of the New Zealand International Arts Festival in 2003, after working for the Festival on a contract basis from 1997.

Having managed the Lexus Song Quest (formerly Mobil) since 1990, Diana also has considerable experience working with young singers.

Diana is a member of the Board of Trustees of Choirs Aotearoa New Zealand and Chair of its Artistic Advisory Group, a member of the Wellington Creative Communities grants committee and a Past President of the New Zealand Opera Society.

Diana is an alumnus of the New Zealand Youth Choir.

Horomona Horo, with extensive experience in overseas performance, includes on his list of activities; playing beside the Weimaraer Staatskapelle Orchestra, touring Italy with Canti Māori opera and performing as a guest artist at the Battle of Passchendaele 90th Commemorations in Belgium. Collaborations with other musicians is an opportunity that is always welcomed with excitement by Horomona. Mentored by tohunga (experts) of taonga puoro, Dr Hirini Melbourne and Dr Richard Nunns, Horomona combines natural talent with a drive for excellence while still retaining his humility, someone who can play sweet soulful music and can command a fully attentive audience through faultless use of taonga puoro, lyrics and quick wit.

Catrin Johnsson, mezzo soprano, was born in Sweden and trained at the Royal College of Music, Stockholm and at the Royal Academy of Music, London. In 2018 she was awarded an ARAM. Other awards include the prestigious Christina Nilsson Award. She has worked as a principal artist for companies such as English National Opera and Opera Holland Park and in 2016 Catrin made her debut for NZ Opera in their production of the The Magic Flute as Second Lady. In concert she has performed at the Queen Elizabeth Hall, Purcell Room and St John’s, Smith Square in London. Catrin is a Performance Teacher in Voice and Stagecraft at the University of Auckland, is language and vocal coach for Voices NZ Chamber Choir and the Auckland Chamber Choir and is Principal of Faculty and Curriculum for the New Zealand Singing School. In 2017, Catrin was National Adjudicator for the IFAC Handa Australian Singing Competition. Catrin is also an accomplished organist who began her professional career at the age of 15 years.

DMA, DipRAM, PGDip(Perf), BMus(Hons), LRAM

Dr Morag Atchison is one of New Zealand’s leading sopranos and pedagogues. She studied at the University of Auckland and Royal Academy of Music (London), and was a finalist in the Kathleen Ferrier and Royal Over-Seas League competitions. Her operatic roles include Helmwige, Die Walküre (NZSO); Lady-in-waiting, Macbeth; First Lady, Magic Flute (NBR NZ Opera); Fourth Maid, Elektra (APO); Blumenmädchen, Parsifal (NZSO), and Tosca (cover) for NZ Opera. Morag works regularly with all of New Zealand’s major orchestras and choral societies, and has performed as a soloist in Canada, the USA, Italy, The Netherlands, France, Kenya, Seychelles, and throughout the UK. Recent highlights include Britten War Requiem with the Christchurch Symphony Orchestra, Carmina Burana with the Christchurch City Choir, Verdi Requiem with Bach Musica, Pierrot Lunaire for the University of Auckland, and recitals for Chamber Music New Zealand with Catrin Johnsson and Rachel Fuller. Morag is also a member of the national chamber choir, Voices New Zealand.

Morag is a Lecturer in Voice at the University of Auckland, and is a vocal tutor for the highly acclaimed NZ Youth Choir, University of Auckland Chamber Choir, Choralation from Westlake Girls’ and Boys’ High Schools, and is on staff at the NZ Singing School. This year Morag will be presenting lectures at the World Choral Symposium in Barcelona (with Assoc Prof Karen Grylls), and at the International Congress of Voice Teachers in Stockholm.

Arne Herrmann has worked for over 20 years in Arts and Festival Management in New Zealand.

He held senior management positions at New Zealand Festival, Auckland Arts Festival, Auckland Philharmonia Orchestra, UNITEC School of Performing and Screen Arts and the contemporary dance company The Human Garden. Arne was the Festival Director of the National Jazz Festival and Garden&ArtFest in Tauranga. His work also included the Lexus SongQuest, Michael Hill International Violin Competition and National Youth Jazz Competition.

As freelance consultant Arne’s clients included the New Zealand Opera, Indian Ink Theatre, Te Matatini Kapa Haka Festival and the Hamilton Gardens Arts Festival.

Arne Herrmann took up the role as Chief Executive of Choirs Aotearoa New Zealand in May 2016.